Race Woman: The Lives of Shirley Graham Du Bois

Gerald Horne, New York University Press, 363 pgs.

Review by Linda Ragin, Staff Writer

Before I started reading Race Woman: The Lives of Shirley Graham Du Bois, I was pretty comfortable with my assumption that this book would be about a woman who gained fame after her marriage to W.E. B. Du Bois.  I was totally wrong.  It is said that her years married to Du Bois 1951 to 1963, may have been the least productive of her life, because she felt obligated to take on a more submissive role as a married woman.

She was born Lola Shirley Graham, in the Midwest in 1896, at a time when Jim Crow laws prevailed.  Her father David Graham was a well-educated man, a pastor of an AME church.  He had no qualms about taking up arms, along with other men in his congregation and holding meetings at the church in response to Jim Crow segregation laws.  Shirley Graham’s great grandfather’s farm was one of the underground railway stations.  So it’s no real wonder where Shirley Graham Du Bois got her sense of duty to contribute to the “racial uplift” of her people. It was in her blood

I wondered why I had never heard of  Shirley Graham Du Bois.  Gerald Horne, discovered, through a “chance encounter,” her personal papers kept by her son David, after her death.  Thanks to this  “chance encounter,” Mr. Horne was able to bring to light, in a most profound way, her life and the legacy she left behind.

Shirley Graham Du Bois was an activist, a biographer, teacher, novelist, playwright, composer and advisor.  Her first major opera Tom-Tom pushed her into the front ranks of black America and established her as a major artistic force.  I would have loved to be in that theatre-- front row seat--when Tom-Tom was performed. Shirley Graham Du Bois  wrote, directed and produced this opera herself.  Through her journeys, particularly to Paris in 1926, she met blacks that were not African American, and they introduced her to an unknown part of her heritage.  The music, the dancing and the drama in Tom-Tom were her attempt to “map the journey of Africans in North America from slavery to freedom.  Tom-Tom drew 10,000 people at its premier and 15,000 the second showing.      

I was fascinated to discover that one of her plays, “It’s Morning”, about an African-American woman on a plantation who is about to murder her daughter, rather than see her live as a slave, was the theme for Toni Morrison’s book and subsequent movie titled Beloved.

I admired her commitment to the racial uplift of all peoples of color as well as African-Americans.  When we talk about successful African Americans “giving back” to the communities from which they came, Shirley Graham Du Bois took the concept a step farther back.  She was about successful African -Americans giving back to Africa, our point of origin. Shirley Graham Du Bois traveled all over the world with one passion in mind--the uplifting of people of color.  She died in China in 1977. Her commitment to the uplifting of people of color brought her into a circle of dedicated race women.  Sojourners for Truth and Justice, was an organization of black women dedicated to the cause of Rosa Lee Ingram, a tenant farmer in rural Georgia, who fought back when assaulted by her white landlord.

I really don’t have adequate words to express how much I have been inspired and encouraged by Shirley Graham Du Bois’ life.  I hope that her story will inspire others to “give back” and move us forward.

“For everything you are, Shirley Graham, everything you stand for, is with us tonight like a shining presence.”